"Between Control and Letting Go", 2019, multimedia installation, 25 ft x 32 ft
       
     
Cyanotype Diving Boards, 2019, Cyanotype on canvas, hardened with fabric hardener, 176 in x 19 in x 4.5 in
       
     
"Standoff" Poem, 2019, Vinyl on panel, 75.5 in x 43.5 in
       
     
"Marked, Back," 2019, Gicleé print, 75.5 in x 43.5 in.
       
     
BCLG-front.jpg
       
     
BCLG-side.jpg
       
     
BCLG-pike.jpg
       
     
"Approach: Priming 1", 2018, Gesso and cyanotype on canvas, 10 ft x 13 in
       
     
"Approach" documentation, 2018, Gesso on canvas, 10 ft x 13 in.
       
     
"Breaking the Surface", 2017, Projection on mirrors, 5 ft x 5 ft stairwell
       
     
       
     
"In Space", 2018, Oil and galkyd on panel, dimensions in description
       
     
In space 5.jpg
       
     
in space 6.jpg
       
     
"In Space" (different arrangement), 2018, Oil and glakyd on panel, dimensions in description
       
     
"unConditional Shades", 2017, Oil on canvas, 5 ft 9 in x 6 ft
       
     
"Moab", 2019, Oil on canvas, 35 in x 30 in.
       
     
"203B", 2016, Oil on canvas, 40 in x 60 in
       
     
"Between Control and Letting Go", 2019, multimedia installation, 25 ft x 32 ft
       
     
"Between Control and Letting Go", 2019, multimedia installation, 25 ft x 32 ft

Senior Thesis Installation in Jewett Gallery at Wellesley College. Installation included four life sized photographs of my body, two cyanotypes on canvas, two videos, and a narrative poem titled “Standoff.”

Cyanotype Diving Boards, 2019, Cyanotype on canvas, hardened with fabric hardener, 176 in x 19 in x 4.5 in
       
     
Cyanotype Diving Boards, 2019, Cyanotype on canvas, hardened with fabric hardener, 176 in x 19 in x 4.5 in

Close up of cyanotype diving boards from Between Control and Letting Go thesis installation.

"Standoff" Poem, 2019, Vinyl on panel, 75.5 in x 43.5 in
       
     
"Standoff" Poem, 2019, Vinyl on panel, 75.5 in x 43.5 in

Narrative poem from thesis installation, Between Control and Letting Go.

"Marked, Back," 2019, Gicleé print, 75.5 in x 43.5 in.
       
     
"Marked, Back," 2019, Gicleé print, 75.5 in x 43.5 in.

One of four photographs in the series, “Marked” from thesis installation, "Between Control and Letting Go.”

BCLG-front.jpg
       
     
BCLG-side.jpg
       
     
BCLG-pike.jpg
       
     
"Approach: Priming 1", 2018, Gesso and cyanotype on canvas, 10 ft x 13 in
       
     
"Approach: Priming 1", 2018, Gesso and cyanotype on canvas, 10 ft x 13 in

Experimental piece that was pivotal to my thesis in connecting the conceptual questions I was asking and my art practice.

"Approach" documentation, 2018, Gesso on canvas, 10 ft x 13 in.
       
     
"Approach" documentation, 2018, Gesso on canvas, 10 ft x 13 in.

Stills from the 25 minute video documentation of the creation of the piece "Approach: Priming 1." Each still shows a motion of the approach as they built up over time. After this piece was complete I coated it in cyanotype and did the same action of my approach, this time sticking my feet in a bucket of water rather than gesso as it is how cyanotype is deactivated. Results of that experiment in previous slide.

"Breaking the Surface", 2017, Projection on mirrors, 5 ft x 5 ft stairwell
       
     
"Breaking the Surface", 2017, Projection on mirrors, 5 ft x 5 ft stairwell

This installation was set up in a little landing at the bottom of a staircase in Jewett Art Center at Wellesley College. This building was designed by Frank Lloyd Wright and is open going up to the 4th floor, so the reflections of the projection didn't stay contained in the stairwell. Video documentation of installation in sample reel.

       
     
Sample Reel, 2021, 5 minutes

Sample Reel includes documentation from thesis installation "Between Control and Letting Go", clips from the two videos played during thesis installation (2019), and documentation from installation "Breaking the Surface" (2017).

"In Space", 2018, Oil and galkyd on panel, dimensions in description
       
     
"In Space", 2018, Oil and galkyd on panel, dimensions in description

Dimensions:

green: 22.5 in × 30.25 in

black: 24.25 in × 15.5 in

blue: 24 in × 54.25 in

Pieces were made to reflect off each other and thus paint in the space of the other paintings themselves.

In space 5.jpg
       
     
in space 6.jpg
       
     
"In Space" (different arrangement), 2018, Oil and glakyd on panel, dimensions in description
       
     
"In Space" (different arrangement), 2018, Oil and glakyd on panel, dimensions in description

Dimensions:

green: 22.5 in × 30.25 in

black: 24.25 in × 15.5 in

blue: 24 in × 54.25 in

Arrangement of the paintings from the piece "In Space" so that the entirety of each piece can be seen.

"unConditional Shades", 2017, Oil on canvas, 5 ft 9 in x 6 ft
       
     
"unConditional Shades", 2017, Oil on canvas, 5 ft 9 in x 6 ft

Painting was the culmination of a semester long independent study.

"Moab", 2019, Oil on canvas, 35 in x 30 in.
       
     
"Moab", 2019, Oil on canvas, 35 in x 30 in.

First painting I made when I returned from my first climbing trip to Moab, Utah.

"203B", 2016, Oil on canvas, 40 in x 60 in
       
     
"203B", 2016, Oil on canvas, 40 in x 60 in

Painting that began my investigation into diving and water.